Funded Research

SSHRC Connections Grant, Co-Investigator, 2020, ($46,607) (with S. Petty)

Title: Transnational Screen Media Practices: Safeguarding Cultural Heritage

 

SK Arts, Artist Grant, Abrupt Dystopia, 2020, ($4,000)

Title: We’re Watching! (album - song writing)

 

SSHRC Connections Grant, Co-Investigator, 2017-2018 ($33,763) (with R. Caines)

Title: “Improvise and Mobilize: Addressing Social Isolation through Applied Research and Arts Practices”

 

SSHRC Insight Grant, Principal Applicant, 2014-2021 (extended for two maternity leaves) ($406,335)

Title: “Hip Hop Indigenized: Imagined Communities, Diasporic Identities, and Global Youth Empowerment”

 

CIHR, 2013-2017, Co-Applicant ($553,556) (Principal Investigator, Jo-Ann Episkenew)

Title: Kitinikewin misiwanacihisowin: Researching arts-based wellness promotion for suicide prevention among Aboriginal youth 

 

Saskatchewan Health Research Group Grant, Co-Applicant, 2013-2016 ($750,000)

Title: Indigenous Peoples Health Research

 

Social Sciences and Humanities Research Council of Canada, International Institute for Critical Studies in Improvisation, Co-Applicant, 2013-2018 ($2,500,000)

 

Saskatchewan Innovation and Science Fund, Principal Applicant, 2013-2014 ($61,417)

Title: Interactive Media and Performance (IMP) Labs

 

Canada Foundation and Innovation Fund, Principal Applicant, 2013-2014 ($61,417)

Title: Interactive Media and Performance (IMP) Labs

 

Canada Research Chair Tier II, 2012-2018 ($500,000)

Title: CRC in Interactive Media and Popular Music 

 

Social Sciences and Humanities Research Council of Canada ($69,990)

Title: “Audio-Mobile: Understanding Eco-Territories through Mobile Technologies,” Co-Applicant, 2011-2013 

 

Social Sciences and Humanities Research Council of Canada ($32,500)

Title: “Spaces of Violence, Sites of Resistance: Music, Media and Performance,” Principal Applicant, 2010 

 

Canada Research Chair Tier II, 2007-2012 ($500,000)

Title: CRC in Interactive Media and Performance 

 

Saskatchewan Innovation and Science Fund, Principal Applicant, 2007-2009 ($315,996)

Title: Interactive Media and Performance (IMP) Labs

 

Canada Foundation and Innovation Fund, Principal Applicant, 2007-2009 ($115,996)

Title: Interactive Media and Performance (IMP) Labs

 

Social Sciences and Humanities Research Council of Canada, Principal Applicant, 2007 ($85,186) 

Title: “Negotiating Traditional and Contemporary Experience in Canadian Aboriginal Hip-Hop”

Social Sciences and Humanities Research Council of Canada, Principal Applicant, 2006 ($33,000)

Title: “Spanning the Distance: Regionalism and Reflections on Popular Music in Canada” 

 

Ontario Graduate Scholarship (OGS), 2003/04. ($18,000)

Title: “Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Rave Culture” 

 

Social Science and Humanities Research Council of Canada, Doctoral Fellowship, 2000-03. ($54,000)

Title: “Raving Cyborgs, Queering Practices, and Discourses of Freedom: The Search for Meaning in Rave Culture”

© 2020 by Dr Charity Marsh