dr. charity marsh

research

Publications in Print

Book Chapters, Journal Articles, and Reviews

“Last Night a DJ Saved My Life: The Flatland Scratch Seminar and Workshop Series,” In At the MacKenzie: The Magazine

of the MacKenzie Art Gallery. Fall 2008. p. 15.

“The Nature/Culture Binary Opposition Dismantled in the Music of Madonna and Björk,” Reprint in Cultural Studies: An

Anthology. Ed. Michael Ryan. Oxford: Balckwell Publishing, 2008, pp. 850-866.

“In & Out of the Classroom: Reflections on Identity, Technology, and the Radio Project,” In Intersections: Canadian Journal

of Music. (26/2), 2007, pp. 81-96.

“‘Understand Us Before You End Us’: Regulation, Governmentality, and the Confessional Practices of Raving Bodies,”

In Popular Music. (Vol. 25/3), Cambridge University Press, 2006, pp. 415-430.

“Performing Femininity as a Transgressive Act through the Dissolution of ‘Real’ and ‘Imaginary’: Björk's Performance as

Selma in Lars Von Trier's Dancer in the Dark.” In Scandinavian-Canadian Studies/ Études Scandinaves au Canada

(Volume 14), 2002, pp.104-129.

“The Nature/Culture Binary Opposition Dismantled in the Music of Madonna and Björk.”  In Music and Technoculture,

René Lysloff, ed. New England: Wesleyan Press, 2003, pp.182-203. With Melissa West.

“DJ Club.” Women and Music in America Since 1900: An Encyclopedia, Kristine H. Burns, Ed. Westport, Connecticut and

London: Greenwood Press, 2002, pp. 158-159.

“The Politics of Academic Fandom.” Forthcoming in Studies in Music. London: University of Western, Serge Lacasse, Ed.

With Melissa West. (Conference Proceedings 2000 and 2001).

“Review of Toronto 2000: Musical Intersections (Conference Review).” In Canadian University Music Review (22:I), 2001,

pp. 108-112.

“Negotiating Spaces for Women’s Participation in the Classroom.” In Core: York’s Newsletter on University Teaching,

February 2001.